Having completed the Sisters in Crime book bloggers’ moderate challenge, I am now embarking on the expert level. I managed to get half-way through this level in 2011, but still have four more posts to go before completion. The challenge:
write ten blog posts about works of crime fiction by women authors. For each, mention three similar women authors whose works you would recommend.
Claudia Piñeiro achieves that very difficult balance between writing an involving novel and making you laugh. Her books are not overtly funny in terms of set-pieces, slapstick and so on, as is the case in much “comic” crime. Nor are they conventional crime novels as such, in that they don’t feature detectives or very linear narratives – though murders do happen! For me, these books work because they are satires on human nature as the protagonists desperately strive to maintain their fragile images of themselves in an excessively consumerist social context. The humour works at the level of a light-hearted treatment of serious, warped issues – most particularly about how our materialism forces us into situations that get ever more extreme.
Two novels by Claudia Piñeiro have been translated from Argentinian Spanish into English by Miranda France, and published by Bitter Lemon Press:
Thursday Night Widows, “written in 2005, when the Argentine currency inflation was out of control and the characters are terrified by the potential effects of the 9/11 atrocity. Not only is the book a fascinating harbinger of the financial crisis that hit so many other parts of the world a few years later, but also, according to the publisher’s blurb, it “eerily foreshadowed a criminal case that generated a scandal in the Argentine media.” Do yourself a favour, and read it.”
All Yours, a “perfectly pitched black comedy” about a woman desperate to maintain her view of her marriage as perfect, whatever the evidence to the contrary.
Three other authors who write similar books and whom I’d recommend?
Teresa Solana‘s two Barcelona-based novels, A Not so Perfect Crime and A Short Cut To Paradise, skewer the social, artistic and literary pretensions of the Catalonian scene, while introducing the oddest pair of brother-detectives in crime fiction.
Donna Moore, in Go to Helena Handbasket, whisks hilariously through every cliché in the many crime-fiction genres. This book does not so much focus on the social or political comment aspects, but there are plenty of gems to pick up if can manage to look while you are laughing yourself silly.
Leigh Redhead‘s Peepshow is about women trapped in the “hostess” industry in Australia – yet ‘trapped’ is the last thing they feel they are. One of them, Simone, has a PI license, and when a body is found in the sea, she decides to use this to investigate the crime and escape into a more appealing work life.